Glamour.com Luca Lanzoni

The man? In skirt. This is the imperative emerged from the last one got back of male parades just concluded in Milan and Paris . On the footbridge of John Galliano (to his first collection man) and Andrew McKenziee , on those of Pringle and Vivienne Westwood , passing through Antonio Marras and Dior Homme, in fact, the head more admired and photographed was really the skirt in his version pour homme.

If by now it is a well-established habit that he is she to take the trousers in fact, the skirt for the man was until this moment for the more a provocation of some stylist voted to the eccentricity: as Jean Paul Gaultier , that has proposed it by now for years as one of the continuative chiefs of his collections; or   Vivienne Westwood which, playing between tradition (Scottish one of the kilt) and transgression, did one of his flags since when was the uncontested queen of the punk. Few cases isolated, until this season.

Starting from the summer spring 2003, in fact, empre several designer they are undertake reinterpreting in male key this clothing chief, fitting it to all the styles. Destined an effeminate man? Little, sometimes for nothing. One passes from the conceptual version and zen, almost sacerdotal signed Yohji Yamamoto (which completely replaced the trousers with wide and wide gonnelloni), to that very long   proposed in denim by Andrew McKenziee . Or anchors the declension more street, used as I touch of styling (linked with bomber and cargo trousers) in the style urban folk   of Antonio Marras . Up to the rock skirt being, to wide folds or in tartan fabric, to take on the jeanses with the skin nail, how wants Hedi Slimane for Dior Homme.

Today the man skirt is just a must in other words. For interrupted adolescents, "adon-escenti" how defines them a recent sociological piece of research, " fourth sex ", what calls them qualcun' other or metrosexual , to use another word that he is starting to entering fashion and that who intends to define   in freely dressing peach from its mate's cloakroom.

Uomini-uomini in which he inspired for his nothing last collection less than Giorgio Armani . In fact king Giorgio, for the emporium line, sent in footbridge a boy who was typically wearing a jacket feminine. Because? « tried in the backstage and » was better up to him than to her.

Go to: The man of 2004 takes the skirt.
Go to: Men in skirt.

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